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hell in Eden

by Diary of Dreams

supported by
inet101
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inet101 Dark place for a visit that one does not seem to be in any hurry to leave. Favorite track: Sister Sin.
Mancvso
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Mancvso Hope you can sort Copyright issues to be able to buy past albums. My n, Nigredo is such a gem.
angelamoore2
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angelamoore2 What an amazing album this is, leaves me without words. So beautiful, sounds, vocals, and production. Perfection.
Will
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Will My personal favorite. I love this album from start to finish. It's lyrically deep, composed perfectly, emotionally proactive and graceful. I purchased on band camp to show it off with pride and bought a physical limited edition from the webstore. I love Diary Of Dreams and this is an epic album to enjoy. Favorite track: Epicon.
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1.
2.
Epicon 05:36
3.
decipher me 04:20
4.
hell in Eden 05:24
5.
perfect halo 04:58
6.
7.
8.
9.
mercy me 05:25
10.
11.
Sister Sin 04:27
12.
nevermore 05:39
13.

about

Eden is no place. Eden is a machine – so it says in the beginning of the liner notes to the 13th album by Diary of Dreams. If you thought you could grasp the lyrical contents of “hell in Eden” with a quick glance, these words prove differently and offer a first taste of the actual scope. Musically, “hell in Eden” is as energetic and monumental as no other Diary album has ever been before, but at the same time, it is also warm, dark and fragile. It touches you from the very first note and builds up a fantasy world in your head, tempting you to lose yourself completely in its magic. Adrian Hates has come up with another masterpiece: 13 incredibly intense and emotional hymns in a wide variety of moods and colors come together to make up a very special conceptual work with clear milestone potential. Adrian himself already lists “hell in Eden” amongst his favorite albums. Let’s join him and discover the new chapter in his diary of dreams.

credits

released June 3, 2019

Credit-Anstalt:

All words and music written and performed by Adrian Hates
Produced by Adrian Hates & Daniel Myer
Recorded at "White Room 5"
Cello, Violin & Acoustic Drums recorded and edited by Thomas Hannes at „Tresorfabrik“
Mixed at "White Room 5" and „Music Making People“ by Adrian Hates with Thomas Hannes
Mastering by Michael Schwabe at „Monoposto“
Word verification support by Kirsten Borchardt
Photography by Max for encore.une.fois
Album title writing by Damián Baena
Graphic layout by user.dx
Video Clips by & Photography Locations thanks to Rytis Titas

Cello on „hiding rivers“ and „Beast of Prey“ performed by Ella Rohwer
Violin on „hiding rivers“ and „Beast of Prey“ performed by Sophie Moser
Guitars by Felix ‘Flex’ Gerlach and Adrian Hates
Additional acoustic drums by Dejan.

Released on Accession Records on Friday the 29th of September 2017
Booking by Albert Diehl for contribe.

Our gratitude to all those who helped and supported us, or simply to those who value what we do.
You mean the world to us.

Thank you for your support and innovations:
Yamaha, RME, Harvest Bags, Roli, Focusrite, Novation, PreSonus, Cinematique Instruments, Ernie Ball, Line 6, Native Instruments, Schecter, Sommer Cable, Takamine, 

Nur dank Dir, J.
Für Andreas, den Kämpfer.

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